Category Archives: Photoshop

Reality Rendered

How do we convincingly visualise an environment that doesn’t – yet – exist in the actual world? This is a huge challenge – though one, as landscape architects, we regularly face and are now  industry leaders.

As we said in an earlier post, at the start of a project, we can quickly produce hand drawn sketches.  These enable us to work out and consolidate our initial thoughts and impressions as well as further our understanding of the project’s requirements.  However, as good as these can look, they can lack many essential details.  In order to give our clients a lifelike image of a project that reflects the three-dimensional world we inhabit.

CGI_Render_2

Our lead 3D Visualiser, Steve Woodhouse, is responsible for creating these images for Liz Lake Associates.  His keen eye for design, experience and imagination, along with powerful processing and cutting edge software such as 3D Studio Max, VRay and Photoshop, combine to create stunning rendered images with a realistic, even photorealistic quality.

As you will appreciate, the visuals are not produced quickly.  Even with the enormous technical power now at our disposal, it can mean leaving a computer working overnight to process the required image.  But the results are worth the wait, as you can see.

CGI_Render_1

Once the landscape structure has been produced, we sometimes use Photoshop or other specialist software, to add final details such as people, trees or bespoke planting – this ensures the image looks as true-to-life and accurate as possible.  Depending on the precise level of realism required, we will show the people as opaque to add a photographic effect or more transparent to give an illustrative appearance.  Proportion and scale are imperative and shape the final result, which is why the skill of the visualiser is of paramount importance.  We are known for our attention to detail and this is mirrored in the unique visuals we produce.

CGI_Render_3

Today, 3D visuals are increasingly in demand, not just in architecture but also film – think blockbusters – as well as TV, advertising and, of course, gaming.  But what next?  Augmented reality is almost upon us, no longer science fiction but now science fact.  So while the results we can achieve today are impressive, the next generation of software promise to take us to another level of reality altogether!

CGI_Render_4

The eyes have it

I caught the last week of the National Gallery’s exhibition ‘Making Colour’ which has set me thinking about colour in our plans today. Using paintings from the Gallery’s collection, the exhibition explained how developments in the way in which paint was produced over the levitra 5mg buy x 4 centuries changed the range of techniques available to painters. As new ingredients such as minerals, plants, insects and more recently, manmade chemicals were introduced new colours and finishes allowed painters to adapt and develop new methods of representation. We are no different with our

exploitation of the colour palette in our work.

Colour Wheel

There was also a reminder that the eye sees colours differently depending on the adjacent colour and the preceding colour we have seen.Wholesale NFL Jerseys If that was not enough each person sees colour uniquely and one in ten men has a form of colour blindness.

Colour Theory

Back in the office a client had asked for a hand drawn plan to be altered. Fortunately we had kept a plan with the Pantone numbers but someone (not unreasonably) had topped up the ink in the felt-tips so when the alterations were added it was quite a different colour from the original. Some fudging on the computer in Photoshop rescued the colours but without that it would have been re-colouring the plan from scratch.

The colours used in CAD are fascinating. In theory the range is huge but on a complex plan it always feels there are not enough to choose from. To make a contrast we use complementary colours which would be opposite each other on a colour wheel but colours of a similar hue like orange or a rust blur together. Well I think they do – who knows whether I see the same as you. On a CAD plan the planning consultant commented that the colours ‘did not work’. We looked at the plan and were quite baffled; they looked fine to us but having been to the exhibition I was prepared to accept that it might not work for them. We reduced the colours of a similar hue and increased the complementary colours. The plan passed muster.

Our generation is no different from painters over the centuries; we are enjoying the challenge of technology to find new ways of being creative. And from the exhibition it is clear that scientists are on the brink of finding out much more on how the eye

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